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Last summer, Islands decamped to a little studio in Toronto to make not one, but TWO new albums. Don't get it twisted: This is not a double album, nor is it a case of editing gone awry. These are two distinct, entirely unique records, each one a wholly individual offering.
Taste, Islands 6th record, is a muscular, crystalline affair, with the majority of the music electronic, buoyed by drum machines, programming and arpeggiated vintage synths. The songs still flirt with Islands bread and butter; evergreens such as ennui, remorse, and a general disenchantment with the modern world hover over the tracks, with lines like we got so thrown, we felt lost at home and steal a little moment, lose it like you own it, to hammer home the point. The songs cut a wide swath, however, and also go in directions that Islands has never tackled, including police brutality and white male privilege (!).
Should I Remain Here At Sea? (a semi-reference to Tarkovskys Solaris), Islands 7th, is, in many ways, a spiritual sequel to the debut album, 2006s Return to the Sea; a natural, raw record, stripped down to its essentials, performed live off the floor. Reflecting on the decade that has elapsed, SIRHAS kicks off with a darkly funny tartness, tackling religion, race, addiction, and murderous fantasies, but by midpoint, the songs give way to a resigned and doleful melancholia, tackling heartache, numb disillusionment and emotional disorientation through the guise of stupid parrots, the Internet, sea turtles and perhaps the loneliest maritimer to ever sail the seas. It was recorded as spontaneously as could be, with some of the songs captured live in one take, vocals and all.
Both albums were produced by Nick Thorburn and Evan Gordon. Taste was mixed by Roger Levins and SIRHAS was mixed by Rob Schnapf. About the process, Nick says: Contained on these albums are the saddest songs I've ever written, the funniest songs I've ever written, the catchiest songs, and the most satisfying songs. Excuse all the superlatives, but I honestly don't think I've ever walked away from a recording process more fulfilled and invigorated."
Steady HolidaySteady Holiday is Dre Babinski. Until now you could find her playing in bands around LA, mostly Dusty Rhodes and the River Band (in which she played strings), opening for stuff like Fitz and the Tantrums and Fun dot. She enjoyed the sideman life but longed for an outlet of her own, writing and recording in secret, developing a body of work about hidden desire itself. Under the Influence is her coming out party, featuring Josh Adams (Jenny Lewis) and produced by Gus Seyffert (The Black Keys, Beck).
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